Explore Rembrandt’s 1654 etching “Jesus Disputing with the Doctors (the Smaller Print),” a tightly composed scene where the twelve-year-old Christ calmly engages scholars, using light, gesture, and crowd psychology to turn a modest room into a living debate.
Rembrandt’s 1654 etching “Christ Seated Disputing with the Doctors” captures the twelve-year-old Jesus among scholars, using tight composition, expressive gestures, and luminous restraint to transform a crowded room into a living study of attention and truth.
Discover Rembrandt’s 1654 etching “Christ Returning from the Temple with His Parents,” a tender portrayal of the walk home after the Temple episode, where linked hands, a rocky landscape, and quiet gestures turn sacred narrative into intimate family life.
Rembrandt’s 1654 “Christ at Emmaus” captures the instant of recognition at a humble table, using radiant light, enclosing drapery, and expressive gestures to turn a domestic inn into a chamber of revelation in etched line and tone.
Rembrandt’s 1654 “Bathsheba at Her Bath” transforms a biblical scandal into an intimate study of conscience, using rich light, tactile paint, and the charged symbol of a royal letter to depict a woman poised between desire, duty, and the cost of power.
Explore Rembrandt’s 1653 etching “St. Jerome in an Italian Landscape,” where a reading saint, a gentle lion, and a hybrid Italian-Dutch terrain create a quiet portrait of attention, solitude, and the harmony between study and the living world.
Dive into Rembrandt’s 1653 masterpiece “The Three Crosses,” a dramatic union of etching and drypoint where diagonal beams of light, a surging crowd, and three towering crosses create a gripping meditation on revelation, authority, and human response.
Explore Rembrandt’s 1653 etching “The Flight into Egypt Called In the Style of Elzheimer,” a quiet, landscape-led meditation on refuge and perseverance that reframes Elsheimer’s influence through nuanced line, balanced tonality, and human-scaled storytelling.
Explore Rembrandt’s intimate 1653 “Portrait of Titus,” a small, powerful canvas where a child’s illuminated face emerges from a warm darkness; restrained color, living brushwork, and masterful chiaroscuro reveal a father’s tender, disciplined way of seeing.
Discover Rembrandt’s 1653 “Portrait of Lieven Willemsz van Coppenol,” a luminous night-scene etching that captures Amsterdam’s master calligrapher at his desk under lamplight, with a young assistant watching, as expressive lines, drypoint burr, and plate tone transform work into quiet drama.
Explore Rembrandt’s 1653 etching “Landscape with a Shepherd and a Dog,” where a sinuous road, a modest village, and imagined mountains meet a steadfast walker and his dog, revealing how masterful line, burr, and negative space turn ordinary rural life into an expansive, timeless journey.
Explore Rembrandt’s 1653 masterpiece “Aristotle with a Bust of Homer,” a profound meditation on memory, reward, and wisdom where living flesh, carved stone, and a glittering gold chain meet under luminous chiaroscuro to stage philosophy as a human gesture.
Explore Rembrandt’s 1652 “Portrait of Nicolas Bruyningh,” a luminous, psychologically rich half-length where warm chiaroscuro, restrained color, and eloquent brushwork transform a sober young merchant into a living presence.
Discover Rembrandt’s 1652 drawing “St Anthonisgate Amsterdam Sun,” a luminous view of Amsterdam’s city edge where a rutted road, windmill sails, and a tree-screened gate reveal how light, shade, and everyday movement shape an urban threshold.
Explore Rembrandt’s 1652 print “Faust,” a gripping study of a scholar halted by a radiant, inscribed apparition, where masterful chiaroscuro, precise line, and symbolic objects turn a quiet study into a meditation on curiosity, revelation, and the limits of reason.
Explore Rembrandt’s 1652 etching “Three Peasants Travelling,” a profoundly humane study of a family on the road, where purposeful composition, economical line, and luminous negative space turn ordinary motion into a moving meditation on dignity and endurance.
Explore Rembrandt’s 1652 landscape etching “The Vista,” where dense, richly hatched trees, humble sheds, and a curving path open onto a luminous expanse of sky and water, demonstrating masterful use of negative space and atmospheric depth.
Discover Rembrandt’s intimate 1652 etching “The Virgin with the Instruments of the Passion,” a quiet masterpiece where a mother’s gesture and a tabletop of Arma Christi guide the viewer into thoughtful, tactile contemplation.