Discover George Stubbs’s The Third Duke of Dorset’s Hunter (1768), a masterful equestrian portrait showcasing anatomical precision, pastoral splendor, and aristocratic sport.
Explore Carl Bloch’s In a Roman Osteria (1866), a lively genre scene capturing Italian tavern life with dramatic lighting, rich detail, and playful human exchange.
Édouard Vuillard’s Across the Fields (1899) transforms a simple procession of figures through a meadow into a flattened, patterned meditation on time, community, and nature.
Herbert Crowley’s River Landscape with Rapids blends intricate pen-and-ink hatchwork and subtle watercolor washes to evoke a timeless, rhythmic river gorge.
Thomas Moran’s The Golden Hour (1875) captures a radiant Western sunset with dramatic light, vivid color, and majestic scale—iconic American sublime.
Paul Sérusier’s Libations, Five Figures in a Mythical Forest (1912) blends Symbolist ritual and decorative color as five women pour offerings amid a lush, enchanted grove.
Vasily Vereshchagin’s Battlefield at the Shipka (1878) presents a haunting winter panorama of war’s aftermath—snow-strewn corpses, abandoned rifles, and distant ranks.
Friedrich von Amerling’s The Young Eastern Woman (1838) captures quiet elegance, intellect, and exotic beauty through radiant light and intricate detail.
Alexander Kanoldt’s San Gimignano (1916) transforms the medieval town into a modernist meditation on silence, structure, and psychological depth.
Karl Kaufmann’s Große Fjordlandschaft captures the sublime beauty of a Norwegian fjord with towering cliffs, still waters, and vivid 19th-century realism.
Robert Delaunay’s Carousel of Pigs (1906) explodes with color, motion, and abstraction—an early masterpiece bridging Fauvism, Symbolism, and Orphism.
Franz von Lenbach’s Portrait of a Peasant in a Hat (1861) honors rural dignity through detailed realism and psychological depth in a powerful character study.
Elihu Vedder’s The Cup of Death (1892) is a poignant Symbolist allegory of mortality, blending spiritual tenderness with timeless visual poetry.
Carl Spitzweg’s Golden Evening captures serene solitude as a lute player rests in golden twilight, blending Romantic nostalgia with poetic natural beauty.
Ferdinand Leeke’s Bacchantin captures Dionysian ecstasy through a radiant nude figure immersed in nature, symbolizing sensual freedom and mythic transcendence.
Jean-François de Troy’s Creusa Consumed by the Poisoned Dress captures mythic tragedy with Rococo elegance and Baroque intensity in a moment of fatal beauty.
Edwin Austin Abbey’s Who Is Sylvia? transforms Shakespeare’s verse into a luminous scene of courtly admiration, poetic idealism, and timeless beauty.
María Blanchard’s Cubist Still Life (1917) blends geometric structure and lyrical color to reveal a bold, personal vision within early Cubist abstraction.