Franz Marc’s “Nude with a Cat” (1910) presents an intimate, expressionist portrayal of a woman feeding a kitten. This analysis explores the painting’s color symbolism, composition, emotional tone, and its place in Marc’s artistic journey from figurative realism to spiritual abstraction.

Wassily Kandinsky’s “Klänge Pl.23” (1913) is a pivotal work from his Klänge portfolio, blending symbolic figures, abstract form, and spiritual expression. This analysis explores the woodcut’s composition, color, symbolism, and place within Kandinsky’s evolution toward abstraction and synesthetic modernism.

Alfred Stevens’ “The Parisian” (1880) is a refined portrait of a fashionable woman symbolizing the elegance and independence of Belle Époque Paris. This analysis explores the painting’s fashion, symbolism, composition, and cultural significance, revealing Stevens’ mastery in depicting modern femininity.

Edward Cucuel’s “Spring Garden in Starnberg” (1920) is a serene Impressionist landscape that celebrates the harmony of nature, domestic life, and lakeside leisure. This analysis explores the painting’s composition, color, symbolism, and cultural significance, positioning it within early 20th-century European art and post-war tranquility.

Charles Demuth’s “Count Muffat Discovers Nana with the Marquis de Chouard” (1915) is a Symbolist watercolor masterpiece inspired by Émile Zola’s Nana. This in-depth analysis explores the painting’s narrative structure, line work, color symbolism, and emotional depth, revealing its place in American modernism and queer visual history.

Franz von Stuck’s “An Der Quelle” (1920) is a mythologically inspired Symbolist masterpiece depicting a satyr and a young woman near a spring. This in-depth analysis explores the painting’s erotic symbolism, psychological depth, composition, and significance within German Art Nouveau and modernist mythology.

Marsden Hartley’s “Portrait of a German Officer” (1914) is a landmark of modernist abstraction and coded emotional expression. This analysis explores the painting’s symbolic language, historical context, and hidden tribute to Karl von Freyburg, offering insight into Hartley’s unique fusion of grief, identity, and avant-garde form.

Max Beckmann’s “Reclining Woman with Book and Irises” (1927) is a modernist painting that reimagines the nude as a symbol of introspection and psychological depth. This in-depth analysis explores its symbolism, composition, color use, and Beckmann’s unique expressionist style, offering a complete interpretation of this significant work.

Mikuláš Galanda’s “After Bath” is a modernist masterpiece that transforms a private moment into a lyrical exploration of the human form. This analysis examines the painting’s composition, symbolism, and emotional resonance within the context of Slovak modernism and early 20th-century art.

Evelyn De Morgan’s “Sleep and Death, the Children of the Night” (1878) is a Symbolist masterpiece that reimagines the myth of Nyx and her twin sons as a meditation on mortality and peace. This in-depth analysis explores the painting’s allegorical meaning, feminist perspective, visual symbolism, and spiritual themes.