Alphonse Mucha’s 1897 “Design for a box of Lefèvre-Utile biscuits” turns a biscuit tin into Art Nouveau theater: a mandolin player overlooking Venice, framed by floral borders and LU monograms, uniting brand, place, and pleasure in a timeless package design.
Alphonse Mucha’s 1897 “Design for a box of Lefèvre-Utile biscuits” turns a biscuit tin into a mini artwork: a Roman riverside scene, a young fruit seller, and lush Art Nouveau borders united to make everyday packaging feel luxurious and memorable.
Mucha’s 1903 “Étrennes” blends Art Nouveau elegance with a tender scene of two young readers, turning a one-color catalog cover for Librairie Armand Colin into a timeless celebration of books as the perfect New Year’s gift.
Alphonse Mucha’s 1896 “The Seasons – Spring” personifies renewal as a blossom-crowned musician stepping through a flowering grove, uniting lyrical line, fresh greens, and chromolithographic brilliance in a defining Art Nouveau panel.
Alphonse Mucha’s 1896 “The Seasons – Winter” personifies the season as a hooded figure amid snow-laden branches, uniting cool aquamarine tones, lyrical line, and tender symbolism in a definitive Art Nouveau chromolithograph.
Mucha’s 1896 “The Seasons – Summer” captures languid warmth with a poppy-crowned figure, looping vines, and glowing chromolithograph color—an Art Nouveau benchmark of mood and design.
Discover Mucha’s 1896 Art Nouveau masterpiece “The Seasons – Autumn,” where a wreath-framed figure, vine motifs, and warm ochre hues capture harvest’s beauty and seasonal transition.
Explore Mucha’s 1920 “Maslenitsa effigy,” a masterful watercolor capturing Slavic women preparing the straw doll for winter’s end, rich in folk symbolism and seasonal ritual.
Discover Mucha’s intimate 1898 drawing “Portrait of a Girl with Hands in Hair,” where delicate graphite and white gouache on gray paper capture a fleeting moment of introspection and grace.
Explore Mucha’s 1898 “Painting,” an Art Nouveau masterwork showcasing a graceful allegory of the creative impulse in flowing drapery, floral ornament, and chromolithographic brilliance.
Discover Mucha’s masterful 1899 poster of Sarah Bernhardt as Hamlet, where Art Nouveau elegance meets Shakespearean drama in a striking vertical composition of costume, symbolism, and decorative flair.
Explore Mucha’s 1909 watercolor “Emperor Lothair and Pope Innocent,” where medieval pageantry, ivy-clad balconies, and a solemn procession converge in a masterful study of power and faith.
Step into Mucha’s 1900 watercolor “William I in his Tobacco College,” where candlelight, powdered wigs, and royal camaraderie come alive in sepia-toned splendor.
Explore Mucha’s haunting “Katte’s Execution” (c.1900), a watercolor and gouache masterpiece capturing Lieutenant Katte’s final moments in poignant sepia tones and period detail.
Explore Mucha’s 1900 decorative panel where celestial stars, looping circles, and stylized leaves intertwine in a masterful Art Nouveau composition of rhythm and harmony.
Explore Mucha’s 1900 abstract study of stylized wings and leaf forms in olive, ochre, and slate blue, revealing a masterful balance of organic flow and geometric harmony.
Discover Mucha’s 1900 ornamental study where sinuous arabesques and stylized flowers intertwine in a masterful Art Nouveau composition of rhythm and harmony.
Explore Mucha’s 1900 ornamental abstraction of stylized flowers and curves in olive, ochre, and sepia, revealing a masterful union of form and rhythm in Art Nouveau design.