Category Alphonse Mucha

Alphonse Mucha’s 1896 Art Nouveau poster Les Saisons 1 depicts a serene young woman in pale green drapery, framed by swirling vines and delicate blossoms that evoke the freshness of spring.

Alphonse Mucha’s 1897 Art Nouveau poster Salomé portrays the titular femme fatale in a sinuous, flowing gown and poppy-studded wreath, holding a stylized circular platter inscribed with her name amid lush, decorative curves.

Alphonse Mucha’s 1899 Art Nouveau lithograph “Soleil du Dimanche” depicts a wreath-crowned maiden basking in warm sunlight, her flowing hair and drapery merging with stylized floral curves in a harmonious celebration of Sunday’s tranquil leisure.

Alphonse Mucha’s 1926 Art Nouveau poster for the VIII Slet Sokol Festival in Prague combines athletic vigor and Slavic symbolism, depicting a human pyramid topped by a flag-bearer and an allegorical figure, all woven together with patriotic ribbons and floral motifs.

Alphonse Mucha’s 1899 Art Nouveau lithograph Rêverie du Soir features a red-haired maiden in flowing white robes, seated pensively under a blooming tree at twilight, framed by sinuous floral borders in soft pastels.

Alphonse Mucha’s 1896 Art Nouveau poster “Les Saisons 4” personifies autumn with a poppy-crowned maiden in flowing robes seated by water’s edge, surrounded by stylized reeds and soft pastels.

Alphonse Mucha’s untitled 1902 Art Nouveau lithograph depicts an ethereal reclining woman draped in flowing green robes, set within a richly ornamented circular frame of stylized floral and peacock-feather motifs.

Alphonse Mucha’s 1920 oil painting Girl with a Plate with a Folk Motif depicts a pensive young woman in peasant dress, brush in hand, showcasing a hand-painted ceramic plate adorned with stylized Slavic floral motifs against a softly lit teal backdrop.

Alphonse Mucha’s 1898 Art Nouveau poster Médée captures Sarah Bernhardt as the vengeful sorceress, framing her in a golden halo and sinuous floral ornament, with bold mosaic lettering for Théâtre de la Renaissance.

Alphonse Mucha’s 1896 Art Nouveau poster “Biscuits Lefèvre-Utile” features a floral-crowned maiden in flowing robes offering a plate of butter biscuits, framed by sinuous wheat-and-vine ornament and a 1897 calendar.

Alphonse Mucha’s 1898 Art Nouveau poster “F. Champenois Imprimeur‐Éditeur” features a graceful maiden crowned with flowering vines, holding a catalog, set against a stylized circular floral–geometric background framed by sinuous lines and the printer’s name in elegant custom lettering.

Alphonse Mucha’s 1896 Art Nouveau poster “Sarah Bernhardt in Lorenzaccio” for Théâtre de la Renaissance features the actress in contemplative pose as Lorenzo de’ Medici, framed by stylized foliage, medieval iconography, and elegant custom lettering.

Alphonse Mucha’s Art Nouveau poster “Zdeňka Černý – The Greatest Bohemian Violoncellist” (c. 1910) celebrates Czech cellist Zdeňka Černý with an elegant profile portrait, decorative lily halo, and bold custom lettering that fusion national pride with ornamental design.

Alphonse Mucha’s 1896 Art Nouveau poster “Job” features a stylized profile of a woman surrounded by swirling golden hair and intricate mosaic borders, promoting JOB rolling papers through decorative elegance.

Alphonse Mucha’s 1895 preparatory lithograph “Lovers” (poster mock-up) captures a Belle Époque salon scene, with elegantly dressed couples dancing hand-in-hand before attentive violin and cello players, framed by nascent Art Nouveau ornament.

Alphonse Mucha’s 1900 Art Nouveau lithograph Pater Noster presents the opening line of the Lord’s Prayer—“Pater noster qui es in cælis”—in stylized lettering, encircled by pomegranate blossoms, star fields, and an angelic figure, uniting sacred text with lush decorative ornament.

Alphonse Mucha’s 1903 Art Nouveau poster for Lefèvre-Utile pairs Sarah Bernhardt as “La Princesse Lointaine” with sumptuous lilies, flowing drapery, and elegant branding in a luminous woodland setting.

Alphonse Mucha’s 1900 Art Nouveau poster “Bosnie-Herzégovine” for the Paris Exposition depicts a young Bosnian woman in traditional dress presenting a coffee service amidst stylized roses and geometric motifs.